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	<title>Eric Maierson &#187; tutorial</title>
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	<link>http://www.ericmaierson.com</link>
	<description>writer, producer, editor</description>
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		<title>Copy Screenshots to the Clipboard</title>
		<link>http://www.ericmaierson.com/2010/07/18/copy-screenshots-to-the-clipboard/</link>
		<comments>http://www.ericmaierson.com/2010/07/18/copy-screenshots-to-the-clipboard/#comments</comments>
		<pubDate>Sun, 18 Jul 2010 17:53:34 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[tutorial]]></category>
		<category><![CDATA[keystrokes]]></category>
		<category><![CDATA[mac]]></category>
		<category><![CDATA[screenshots]]></category>

		<guid isPermaLink="false">http://www.ericmaierson.com/?p=900</guid>
		<description><![CDATA[At MediaStorm I take a lot of screenshots. I use the mac shortcut key command-shift-4 to capture a selection of the screen. Most of the time, I capture application settings that I send to my colleagues. The problem with command-shift-4 (&#8230;)<p><a href="http://www.ericmaierson.com/2010/07/18/copy-screenshots-to-the-clipboard/">Read the rest of this entry &#187;</a></p>]]></description>
			<content:encoded><![CDATA[<p>At <a href="http://mediastorm.com" target="blank">MediaStorm</a> I take a lot of screenshots. I use the mac shortcut key <strong>command-shift-4</strong> to capture a selection of the screen. Most of the time, I capture application settings that I send to my colleagues. </p>
<p>The problem with <strong>command-shift-4</strong> is that it saves the image to the desktop, an intermediary step before I attach it to an email message.  </p>
<p>Thanks to this <a href="http://www.tuaw.com/2008/10/06/mac-101-take-screenshot-and-copy-to-clipboard/" target="blank">TUAW.com</a> article, I discovered a solution. If you use <strong>command-shift-4</strong> + the <strong>Control</strong> key the screenshot will be sent directly to the clipboard, making it super easy to paste in to an email while keeping your desktop clean, too. </p>
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		<title>MediaStorm’s Guide to Using Apple’s ProRes 422 Codec</title>
		<link>http://www.ericmaierson.com/2010/07/16/mediastorm%e2%80%99s-guide-to-using-apple%e2%80%99s-prores-422-codec/</link>
		<comments>http://www.ericmaierson.com/2010/07/16/mediastorm%e2%80%99s-guide-to-using-apple%e2%80%99s-prores-422-codec/#comments</comments>
		<pubDate>Fri, 16 Jul 2010 11:39:30 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[MediaStorm]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[FCP]]></category>
		<category><![CDATA[ProRes 422]]></category>

		<guid isPermaLink="false">http://www.ericmaierson.com/?p=865</guid>
		<description><![CDATA[I&#8217;ve written a short tutorial detailing when to use Apple&#8217;s ProRes 422 codec. You can read it here on the MediaStorm blog.]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve written a short tutorial detailing when to use Apple&#8217;s ProRes 422 codec. </p>
<p>You can read it <a href="http://www.mediastorm.com/blog/?p=2442" target="blank">here</a> on the MediaStorm blog. </p>
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		<title>Guide to Custom Final Cut Shortcuts</title>
		<link>http://www.ericmaierson.com/2010/06/14/guide-to-custom-final-cut-shortcuts/</link>
		<comments>http://www.ericmaierson.com/2010/06/14/guide-to-custom-final-cut-shortcuts/#comments</comments>
		<pubDate>Mon, 14 Jun 2010 23:13:43 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[MediaStorm]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[FCP]]></category>

		<guid isPermaLink="false">http://www.ericmaierson.com/?p=691</guid>
		<description><![CDATA[I&#8217;ve written a short tutorial on how to create custom keyboard shortcuts in Final Cut. You can read it here on the MediaStorm blog.]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve written a short tutorial on how to create custom keyboard shortcuts in Final Cut. You can read it <a href="http://www.mediastorm.com/blog/?p=2272">here</a> on the MediaStorm blog.</p>
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		<title>Two New Blog Posts on MediaStorm</title>
		<link>http://www.ericmaierson.com/2010/04/17/two-new-blog-posts-on-mediastorm/</link>
		<comments>http://www.ericmaierson.com/2010/04/17/two-new-blog-posts-on-mediastorm/#comments</comments>
		<pubDate>Sat, 17 Apr 2010 14:48:13 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[MediaStorm]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[Media]]></category>

		<guid isPermaLink="false">http://www.ericmaierson.com/?p=612</guid>
		<description><![CDATA[Last week, I added two new tutorials to the MediaStorm blog. The first,  MediaStorm&#8217;s Guide to Backing Up, details our back up workflow using shirt-pocket.com&#8216;s SuperDuper! The second, is an extensive list of Final Cut Pro resources available on the (&#8230;)<p><a href="http://www.ericmaierson.com/2010/04/17/two-new-blog-posts-on-mediastorm/">Read the rest of this entry &#187;</a></p>]]></description>
			<content:encoded><![CDATA[<p>Last week, I added two new <a href="http://mediastorm.org/blog/?cat=748" target="_blank">tutorials</a> to the MediaStorm blog.</p>
<p>The first,  <a href="http://mediastorm.org/blog/?p=1941" target="_blank">MediaStorm&#8217;s Guide to Backing Up</a>, details our back up workflow using <a href="http://shirt-pocket.com/" target="_blank">shirt-pocket.com</a>&#8216;s SuperDuper!</p>
<p>The <a href="http://mediastorm.org/blog/?p=1620" target="_blank">second</a>, is an extensive list of Final Cut Pro resources available on the web.</p>
<p>Check &#8216;em out.</p>
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		<title>How I Use Social Networks</title>
		<link>http://www.ericmaierson.com/2010/04/04/how-i-use-social-networks/</link>
		<comments>http://www.ericmaierson.com/2010/04/04/how-i-use-social-networks/#comments</comments>
		<pubDate>Sun, 04 Apr 2010 22:29:48 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[applications]]></category>
		<category><![CDATA[flickr]]></category>
		<category><![CDATA[iPhone]]></category>
		<category><![CDATA[links]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[sites]]></category>
		<category><![CDATA[social networks]]></category>

		<guid isPermaLink="false">http://www.ericmaierson.com/?p=575</guid>
		<description><![CDATA[A coworker recently asked which social networking sites I use. I thought I&#8217;d take the opportunity to break down my &#8220;strategy.&#8221; Blogs I blog here at ericmaierson.com, of course, and have also written extensively for the MediaStorm blog. (See the (&#8230;)<p><a href="http://www.ericmaierson.com/2010/04/04/how-i-use-social-networks/">Read the rest of this entry &#187;</a></p>]]></description>
			<content:encoded><![CDATA[<p>A coworker recently asked which social networking sites I use. I thought I&#8217;d take the opportunity to break down my &#8220;strategy.&#8221;</p>
<p><strong>Blogs<br />
</strong><br />
I blog here at ericmaierson.com, of course, and have also written extensively for the MediaStorm <a href="http://mediastorm.org/blog/" target="_blank">blog</a>. (See the <a href="http://mediastorm.org/blog/?cat=748" target="_blank">tutorial</a> section.)</p>
<p>I use the WordPress plugin, <a href="http://www.joedolson.com/articles/wp-to-twitter/" target="_blank">WP to Twitter</a> to automatically update Twitter when I create a new post.</p>
<p>I also have two <a href="http://gummybearsfuckyeah.tumblr.com/" target="_blank">tumblr</a> sites. Tumblr makes blogging fun; it&#8217;s an easy way to repost things I find on the tubes.</p>
<p>I save pictures to my <a href="https://www.dropbox.com/" target="_blank">dropbox </a>during the week then post on Sundays.</p>
<p>Finally, I am the proprietor of a <a href="http://kottke.org/08/02/single-serving-sites" target="_blank">single serving site</a>, <a href="http://whatisthemostimportantthingaboutmultimedia.com/" target="_blank">WhatIsTheMostImportantThingAboutMultimedia.com</a>.</p>
<p><strong>Twitter</strong></p>
<p>I have three <a href="http://twitter.com" target="_blank">twitter</a> accounts. The first is my personal and often neglected feed <a href="http://twitter.com/gboy" target="_blank">@gboy</a>.  It&#8217;s neglected because I spend most of my time curating <a href="http://twitter.com/mediastorm" target="_blank">@MediaStorm</a>. There you&#8217;ll find lots of links about photography, infograghics, Final Cut and tech news–particularly related to Apple.</p>
<p>Finally, there&#8217;s my pet project <a href="http://twitter.com/fcpkeystrokes" target="_blank">@FCPkeystrokes</a> where I tweet one Final Cut keyboard shortcut a day.</p>
<p>I use the facebook application <a href="http://apps.facebook.com/selectivetwitter/" target="_blank">Selective Tweets</a> which posts my @gboy updates to facebook if they include the hash tag #fb.</p>
<p>My Twitter tools of choice are <a href="http://www.atebits.com/tweetie-iphone/" target="_blank">Tweetie</a> for the iPhone as well as the <a href="http://www.atebits.com/tweetie-mac/" target="_blank">desktop</a> version.</p>
<p>I post, however, using the web application <a href="http://hootsuite.com/" target="_blank">Hootsuite</a>. Hootsuite provides an excellent bookmarklet that when clicked automatically populates a new tweet with the name of the current web site and a shortened link. The only drawback is the link creates an <a href="http://en.wikipedia.org/wiki/HTML_element#Frames" target="_blank">iFrame</a> on the resulting page.</p>
<p><strong>Photography</strong></p>
<p><a href="http://www.flickr.com/photos/gboy/" target="_blank">Flickr</a> is the main archive for my photography online. I also use the online editing site <a href="http://www.picnik.com/" target="_blank">Picnik</a> for last minute color corrections. Picnik can be set up to work from within the Flickr interface. For more information on integrating Picnik see Flickr&#8217;s <a href="http://www.flickr.com/help/picnik/" target="_blank">FAQ</a>.</p>
<p>Pictures I make with my iPhone, I email to the dead-simple blogging site <a href="http://gboy.posterous.com/" target="_blank">Posterous</a> which promptly posts them. Posterous can also autopost to a number of other social sites.</p>
<p>I&#8217;ve set up my account to post a link on twitter and repost images to Facebook as well.</p>
<p><strong>Aggregation</strong></p>
<p>I&#8217;ve just started using <a href="http://flavors.me/gboy" target="_blank">flavors.me</a><strong> </strong>which uses dropdown menus to compact your social network in to a very useful aggregation.</p>
<p><strong>What Did I Miss?</strong></p>
<p>I&#8217;m always on the lookout for new sites and cool tools so I&#8217;ve overlooked one of your favorites please drop me or add a comment below. I&#8217;d love to hear from you.</p>
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		<title>&#8216;Getting Good&#8217; on the MediaStorm Blog</title>
		<link>http://www.ericmaierson.com/2010/01/25/getting-good-on-the-mediastorm-blog/</link>
		<comments>http://www.ericmaierson.com/2010/01/25/getting-good-on-the-mediastorm-blog/#comments</comments>
		<pubDate>Mon, 25 Jan 2010 14:35:13 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[editing]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[getting good]]></category>
		<category><![CDATA[multimedia]]></category>
		<category><![CDATA[work]]></category>

		<guid isPermaLink="false">http://www.ericmaierson.com/?p=505</guid>
		<description><![CDATA[I&#8217;ve written a short essay for the MediaStorm blog on how to get good. Here&#8217;s the essence: People tell me they want to produce work like MediaStorm. You can. Yes, we are fortunate to work with many incredibly talented photographers. (&#8230;)<p><a href="http://www.ericmaierson.com/2010/01/25/getting-good-on-the-mediastorm-blog/">Read the rest of this entry &#187;</a></p>]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve written a short essay for the MediaStorm blog on how to get good.</p>
<p>Here&#8217;s the essence:</p>
<blockquote><p>People tell me they want to produce work like MediaStorm. You can. Yes, we are fortunate to work with many incredibly talented photographers. But the storytelling techniques we use in our work are not revolutionary. They&#8217;re the same techniques described by Aristotle in his <em><a href="http://en.wikipedia.org/wiki/Poetics_%28Aristotle%29" target="_blank">Poetics</a></em>, 2000 years ago. What&#8217;s different is that we work our stories. We watch and re-watch literally dozens of times, replacing soundbites, removing the inauthentic, rearranging, restructuring, often for weeks at a time. Sometimes it feels endless but in the end, it works.</p>
<p>And it can for you, too.</p></blockquote>
<p>Read the rest of the article <a href="http://mediastorm.org/blog/?p=1679" target="_blank">here</a>.</p>
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		<title>10 Final Cut Keystrokes I Use Every Day</title>
		<link>http://www.ericmaierson.com/2009/12/20/10-final-cut-keystrokes-i-use-every-day/</link>
		<comments>http://www.ericmaierson.com/2009/12/20/10-final-cut-keystrokes-i-use-every-day/#comments</comments>
		<pubDate>Sun, 20 Dec 2009 13:28:34 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[editing]]></category>
		<category><![CDATA[multimedia]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[FCP]]></category>
		<category><![CDATA[keystrokes]]></category>

		<guid isPermaLink="false">http://www.ericmaierson.com/?p=417</guid>
		<description><![CDATA[Here are some of the bread-and-butter shortcut keys I use most frequently: Command-Shift-A Deselect all. Contorl-B Enables/Disables a clip. This is a great one to use when trying to compare clips. Stack one on top of the other and use (&#8230;)<p><a href="http://www.ericmaierson.com/2009/12/20/10-final-cut-keystrokes-i-use-every-day/">Read the rest of this entry &#187;</a></p>]]></description>
			<content:encoded><![CDATA[<p>Here are some of the bread-and-butter shortcut keys I use most frequently:</p>
<p><strong>Command-Shift-A</strong> Deselect all.</p>
<p><strong>Contorl-B</strong> Enables/Disables a clip. This is a great one to use when trying to compare clips. Stack one on top of the other and use <strong>Control-B</strong> to turn your alternative on and off.</p>
<p><strong>Control &#8211; </strong> and <strong>Control =</strong><strong> </strong>Raises or lowers the audio levels 1db, respectively. Make sure to either select your clip or place the playhead over it first.</p>
<p><strong>F</strong> Loads the clip under the playhead in to the Viewer.</p>
<p><strong>J, K, L </strong>These are the transport keys. They move you through the timeline. <strong>J</strong> is backwards, <strong>K </strong>stops, and <strong>L</strong> is forward. Pressing <strong>J</strong> or <strong>L</strong> twice in quick succession doubles the speed. Also, holding <strong>J and K </strong>together moves backwards in slow-motion while <strong>K and L</strong> moves forward in slow-motion.</p>
<p><strong>Keypad &#8216;del&#8217;</strong> The keypad delete key performs a  ripple delete, collapsing the space left after removing a clip. The result is the same as using <strong>shift-delete</strong> but simpler.</p>
<p><strong>X </strong>Marks an In and an Out point on the clip beneath the playhead.</p>
<p><strong>Option-V</strong> Paste attributes. First, select the clip whose attributes you want to copy (<strong>command-C</strong>). Then, paste on to another clip using <strong>option-V</strong>. Great for pasting size and level attributes between clips.<strong></strong></p>
<p><strong>TTTT or Shift-T</strong> Changes the cursor to overlapping arrows. Touch any clip and all clips forward will be selected. Great for moving around large chunks of an edit.</p>
<p><strong>+ and </strong><strong>[number] </strong>Moves the selected clip forward &#8211; to the right &#8211; by an increment of the entered number. <strong>- and [number] </strong>moves the selected clip backwards, or to the left.</p>
<p>For more Final Cut  keystrokes, check out my twitter feed @<a href="http://twitter.com/fcpkeystrokes" target="_blank">fcpkeystokes </a>where I post a new shortcut every day.</p>
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		<title>Replacing Footage With Pixel Accuracy in After Effects or FCP</title>
		<link>http://www.ericmaierson.com/2009/12/13/replacing-footage-with-pixel-accuracy-in-after-effects-or-fcp/</link>
		<comments>http://www.ericmaierson.com/2009/12/13/replacing-footage-with-pixel-accuracy-in-after-effects-or-fcp/#comments</comments>
		<pubDate>Sun, 13 Dec 2009 21:44:58 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[After Effects]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[After]]></category>
		<category><![CDATA[After e]]></category>
		<category><![CDATA[Final]]></category>
		<category><![CDATA[Final Cut Pro]]></category>

		<guid isPermaLink="false">http://www.ericmaierson.com/?p=408</guid>
		<description><![CDATA[Say you need to replace low-res footage with a new, high-res version while maintaining pixel accuracy. First, create a new layer. Stack the new footage of top of the old. In Final Cut, right-click on the top layer and choose (&#8230;)<p><a href="http://www.ericmaierson.com/2009/12/13/replacing-footage-with-pixel-accuracy-in-after-effects-or-fcp/">Read the rest of this entry &#187;</a></p>]]></description>
			<content:encoded><![CDATA[<p>Say you need to replace low-res footage with a new, high-res version while maintaining pixel accuracy.</p>
<p>First, create a new layer. Stack the new footage of top of the old.</p>
<p>In Final Cut, right-click on the top layer and choose <strong>Composite Mode&gt;Difference</strong>. In After Effects, use the layer&#8217;s drop-down <strong>Mode</strong> menu.</p>
<p>Your footage will take on an inverted and somewhat psychedelic appearance. But here&#8217;s the great part: when the two versions are perfectly aligned, they will cancel each other out and your Viewer will become black.</p>
<p>Credit to Chad Perkin&#8217;s and his excellent <a href="http://www.lynda.com/home/DisplayCourseN.aspx?lpk2=772" target="_blank">After Effects CS4 Beyond the Basics</a> on <a href="http://www.lynda.com" target="_blank">lynda.com</a>.</p>
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		<title>Navigating the After Effects Timeline</title>
		<link>http://www.ericmaierson.com/2009/12/05/navigating-the-after-effects-timeline/</link>
		<comments>http://www.ericmaierson.com/2009/12/05/navigating-the-after-effects-timeline/#comments</comments>
		<pubDate>Sat, 05 Dec 2009 22:43:17 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[After Effects]]></category>
		<category><![CDATA[applications]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[keystrokes]]></category>

		<guid isPermaLink="false">http://www.ericmaierson.com/?p=357</guid>
		<description><![CDATA[One of the more fundamental challenges I&#8217;ve faced learning After Effects is how to navigate the timeline. While I can fly in Final Cut, I tend to putter about in AE. One of the obvious reasons for this is that (&#8230;)<p><a href="http://www.ericmaierson.com/2009/12/05/navigating-the-after-effects-timeline/">Read the rest of this entry &#187;</a></p>]]></description>
			<content:encoded><![CDATA[<p>One of the more fundamental challenges I&#8217;ve faced <a href="http://www.ericmaierson.com/2009/11/06/learning-after-effects/" target="_blank">learning</a> After Effects is how to navigate the timeline. While I can fly in Final Cut, I tend to putter about in AE. One of the obvious reasons for this is that the key strokes are so wildly different.</p>
<p>To help me through this new terrain, I compiled a list of shortcuts. Try them out for best results.</p>
<p><strong>View Timeline One Frame at a Time</strong><br />
<strong>Page up</strong> moves current time indicator one frame backwards.<br />
<strong>Page down </strong>move current time indicator one frame forwards.</p>
<p><strong>Two Ways to Select a iLayer</strong><br />
Type the <strong>layer number on keypad</strong> to select it.<br />
Use <strong>command up and down arrow</strong> to shuttle through the layers, respectively.</p>
<p><strong>Jump to Current Time Indicator</strong><br />
If you&#8217;ve zoomed in too far and can no longer find the current time indicator, hitting <strong>d</strong> will bring you back to it.</p>
<p><strong>Jump to In and Out a Layer<br />
</strong>First, make sure the clip is selected.<strong><br />
I </strong>will jump to the in point of the clip.<br />
<strong>O </strong>will jump to the out point of the clip.</p>
<p><strong>Set In and Out for Playback Work Area</strong><br />
<strong>B </strong>sets in point for playback.<br />
<strong>N</strong> sets out point for playback.<br />
The Playback Work Area are the indicators above the timeline that determine how much of your composition will play back.</p>
<p><strong>Jump to In and Out of Playback Work Area</strong><strong><br />
Shift-home</strong> jumps to the beginning of the work area.<br />
<strong>shift-end</strong> jumps to the beginning of the work area.</p>
<p><strong>Make Playback Work Area the Size of all selected layers</strong><br />
<strong>command-option-b</strong></p>
<p><strong>Jump to the </strong><strong>Beginning and End of Timeline</strong><br />
<strong>Home key </strong>jumps to the beginning of the timeline.<br />
<strong>End key</strong> jumps to the end of the timeline.</p>
<p><strong> </strong></p>
<p><strong>Transform Property Shortcuts</strong><br />
<strong>S</strong> show scale<br />
<strong>T</strong> show opacity<br />
<strong>A</strong> show anchor point<br />
<strong>R</strong> show rotation<br />
<strong>P</strong> show position</p>
<p><strong>See More than One Transform Property at a Time</strong><br />
Hold down<strong> shift while hitting another keyframe shortcut.<br />
</strong>For instance, if the scale property is currently displaced, pressing<strong> shift-r </strong>will show the scale and the rotation property.</p>
<p><strong>View Keyframes</strong><br />
<strong>U </strong>shows all properties that have key frames applied.<br />
<strong>UU</strong> shows all values that have been changed from their default.</p>
<p><strong>Insert Keyframe Shortcuts</strong><br />
<strong>option+transform property shortcut</strong> <strong>key</strong> will place a keyframe in the timeline for that attribute.<br />
For instance, <strong>option+t</strong> will insert an opacity keyframe at the current time indicator position.</p>
<p><strong>Replace Footage in Timeline While Keeping the Original Keyframes</strong><br />
First, select track with media to be replaced.<br />
Next, hold down option as you drag replacement footage on to selected track.<br />
The media is replaced but the keyframes will remain intact.</p>
<p><strong>Markers</strong><br />
Markers are added using the <strong>Layer&gt;Add Marker</strong> menu<strong><br />
K</strong> jump forward to marker<br />
<strong>J</strong> jump back to marker<br />
<strong>Right-click</strong> to delete or lock<br />
<strong>Drag</strong> to move<strong><br />
* (star key) </strong>makes marker on audio timeline</p>
<p><strong>Move Beginning or End of Footage to Current Time Indicator<br />
[ (open bracket) </strong>moves start of clip to current time indicator.<br />
<strong>] (close bracket) </strong>moves end of clip to current time indicator.<br />
These keys do not  change the length of the clip.</p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong>Trim Layers</strong><br />
<strong>option [ (option-open bracket)</strong> &#8211; trims the footage so that the clip begins at the current time indicator. Shortens the clip&#8217;s time.<br />
<strong>option [  (option-close bracket)</strong> &#8211; trims the footage so that the clip ends at the current time indicator. Shortens the clip&#8217;s time.</p>
<p><strong>RAM Preview</strong> <strong>to Hear Audio</strong><br />
<strong>Keypad 0</strong></p>
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		<title>Ten Tips for Working With Music in Multimedia on MediaStorm blog</title>
		<link>http://www.ericmaierson.com/2009/11/26/ten-tips-for-working-with-music-in-multimedia-on-mediastorm-blog/</link>
		<comments>http://www.ericmaierson.com/2009/11/26/ten-tips-for-working-with-music-in-multimedia-on-mediastorm-blog/#comments</comments>
		<pubDate>Thu, 26 Nov 2009 16:09:13 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[MediaStorm]]></category>
		<category><![CDATA[multimedia]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://www.ericmaierson.com/?p=345</guid>
		<description><![CDATA[As part of an ongoing series of tutorials on the MediaStorm blog I&#8217;ve compiled a list of techniques that he MediaStorm team uses when working with music. From the article: Music should not be used as simply background sound. It’s (&#8230;)<p><a href="http://www.ericmaierson.com/2009/11/26/ten-tips-for-working-with-music-in-multimedia-on-mediastorm-blog/">Read the rest of this entry &#187;</a></p>]]></description>
			<content:encoded><![CDATA[<p>As part of an ongoing <a href="http://mediastorm.org/blog/?cat=748" target="_blank">series</a> of tutorials on the MediaStorm <a href="http://mediastorm.org/blog" target="_blank">blog</a> I&#8217;ve compiled a list of techniques that he MediaStorm team uses when working with music.</p>
<p>From the article:</p>
<blockquote><p>Music should not be used as simply background sound. It’s an integral part of multimedia, as important at times as your images, narration, or video. Effective music editing creates a rhythm, a call and response, with your other media sources.</p></blockquote>
<p>Read the post in it&#8217;s entirety <a href="http://mediastorm.org/blog/?p=1419" target="_blank">here</a>.</p>
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