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	<title>Eric Maierson &#187; After Effects</title>
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		<title>Replacing Footage With Pixel Accuracy in After Effects or FCP</title>
		<link>http://www.ericmaierson.com/2009/12/13/replacing-footage-with-pixel-accuracy-in-after-effects-or-fcp/</link>
		<comments>http://www.ericmaierson.com/2009/12/13/replacing-footage-with-pixel-accuracy-in-after-effects-or-fcp/#comments</comments>
		<pubDate>Sun, 13 Dec 2009 21:44:58 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[After Effects]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[After]]></category>
		<category><![CDATA[After e]]></category>
		<category><![CDATA[Final]]></category>
		<category><![CDATA[Final Cut Pro]]></category>

		<guid isPermaLink="false">http://www.ericmaierson.com/?p=408</guid>
		<description><![CDATA[Say you need to replace low-res footage with a new, high-res version while maintaining pixel accuracy. First, create a new layer. Stack the new footage of top of the old. In Final Cut, right-click on the top layer and choose (&#8230;)<p><a href="http://www.ericmaierson.com/2009/12/13/replacing-footage-with-pixel-accuracy-in-after-effects-or-fcp/">Read the rest of this entry &#187;</a></p>]]></description>
			<content:encoded><![CDATA[<p>Say you need to replace low-res footage with a new, high-res version while maintaining pixel accuracy.</p>
<p>First, create a new layer. Stack the new footage of top of the old.</p>
<p>In Final Cut, right-click on the top layer and choose <strong>Composite Mode&gt;Difference</strong>. In After Effects, use the layer&#8217;s drop-down <strong>Mode</strong> menu.</p>
<p>Your footage will take on an inverted and somewhat psychedelic appearance. But here&#8217;s the great part: when the two versions are perfectly aligned, they will cancel each other out and your Viewer will become black.</p>
<p>Credit to Chad Perkin&#8217;s and his excellent <a href="http://www.lynda.com/home/DisplayCourseN.aspx?lpk2=772" target="_blank">After Effects CS4 Beyond the Basics</a> on <a href="http://www.lynda.com" target="_blank">lynda.com</a>.</p>
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		<title>Navigating the After Effects Timeline</title>
		<link>http://www.ericmaierson.com/2009/12/05/navigating-the-after-effects-timeline/</link>
		<comments>http://www.ericmaierson.com/2009/12/05/navigating-the-after-effects-timeline/#comments</comments>
		<pubDate>Sat, 05 Dec 2009 22:43:17 +0000</pubDate>
		<dc:creator>Eric</dc:creator>
				<category><![CDATA[After Effects]]></category>
		<category><![CDATA[applications]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[tutorial]]></category>
		<category><![CDATA[keystrokes]]></category>

		<guid isPermaLink="false">http://www.ericmaierson.com/?p=357</guid>
		<description><![CDATA[One of the more fundamental challenges I&#8217;ve faced learning After Effects is how to navigate the timeline. While I can fly in Final Cut, I tend to putter about in AE. One of the obvious reasons for this is that (&#8230;)<p><a href="http://www.ericmaierson.com/2009/12/05/navigating-the-after-effects-timeline/">Read the rest of this entry &#187;</a></p>]]></description>
			<content:encoded><![CDATA[<p>One of the more fundamental challenges I&#8217;ve faced <a href="http://www.ericmaierson.com/2009/11/06/learning-after-effects/" target="_blank">learning</a> After Effects is how to navigate the timeline. While I can fly in Final Cut, I tend to putter about in AE. One of the obvious reasons for this is that the key strokes are so wildly different.</p>
<p>To help me through this new terrain, I compiled a list of shortcuts. Try them out for best results.</p>
<p><strong>View Timeline One Frame at a Time</strong><br />
<strong>Page up</strong> moves current time indicator one frame backwards.<br />
<strong>Page down </strong>move current time indicator one frame forwards.</p>
<p><strong>Two Ways to Select a iLayer</strong><br />
Type the <strong>layer number on keypad</strong> to select it.<br />
Use <strong>command up and down arrow</strong> to shuttle through the layers, respectively.</p>
<p><strong>Jump to Current Time Indicator</strong><br />
If you&#8217;ve zoomed in too far and can no longer find the current time indicator, hitting <strong>d</strong> will bring you back to it.</p>
<p><strong>Jump to In and Out a Layer<br />
</strong>First, make sure the clip is selected.<strong><br />
I </strong>will jump to the in point of the clip.<br />
<strong>O </strong>will jump to the out point of the clip.</p>
<p><strong>Set In and Out for Playback Work Area</strong><br />
<strong>B </strong>sets in point for playback.<br />
<strong>N</strong> sets out point for playback.<br />
The Playback Work Area are the indicators above the timeline that determine how much of your composition will play back.</p>
<p><strong>Jump to In and Out of Playback Work Area</strong><strong><br />
Shift-home</strong> jumps to the beginning of the work area.<br />
<strong>shift-end</strong> jumps to the beginning of the work area.</p>
<p><strong>Make Playback Work Area the Size of all selected layers</strong><br />
<strong>command-option-b</strong></p>
<p><strong>Jump to the </strong><strong>Beginning and End of Timeline</strong><br />
<strong>Home key </strong>jumps to the beginning of the timeline.<br />
<strong>End key</strong> jumps to the end of the timeline.</p>
<p><strong> </strong></p>
<p><strong>Transform Property Shortcuts</strong><br />
<strong>S</strong> show scale<br />
<strong>T</strong> show opacity<br />
<strong>A</strong> show anchor point<br />
<strong>R</strong> show rotation<br />
<strong>P</strong> show position</p>
<p><strong>See More than One Transform Property at a Time</strong><br />
Hold down<strong> shift while hitting another keyframe shortcut.<br />
</strong>For instance, if the scale property is currently displaced, pressing<strong> shift-r </strong>will show the scale and the rotation property.</p>
<p><strong>View Keyframes</strong><br />
<strong>U </strong>shows all properties that have key frames applied.<br />
<strong>UU</strong> shows all values that have been changed from their default.</p>
<p><strong>Insert Keyframe Shortcuts</strong><br />
<strong>option+transform property shortcut</strong> <strong>key</strong> will place a keyframe in the timeline for that attribute.<br />
For instance, <strong>option+t</strong> will insert an opacity keyframe at the current time indicator position.</p>
<p><strong>Replace Footage in Timeline While Keeping the Original Keyframes</strong><br />
First, select track with media to be replaced.<br />
Next, hold down option as you drag replacement footage on to selected track.<br />
The media is replaced but the keyframes will remain intact.</p>
<p><strong>Markers</strong><br />
Markers are added using the <strong>Layer&gt;Add Marker</strong> menu<strong><br />
K</strong> jump forward to marker<br />
<strong>J</strong> jump back to marker<br />
<strong>Right-click</strong> to delete or lock<br />
<strong>Drag</strong> to move<strong><br />
* (star key) </strong>makes marker on audio timeline</p>
<p><strong>Move Beginning or End of Footage to Current Time Indicator<br />
[ (open bracket) </strong>moves start of clip to current time indicator.<br />
<strong>] (close bracket) </strong>moves end of clip to current time indicator.<br />
These keys do not  change the length of the clip.</p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong>Trim Layers</strong><br />
<strong>option [ (option-open bracket)</strong> &#8211; trims the footage so that the clip begins at the current time indicator. Shortens the clip&#8217;s time.<br />
<strong>option [  (option-close bracket)</strong> &#8211; trims the footage so that the clip ends at the current time indicator. Shortens the clip&#8217;s time.</p>
<p><strong>RAM Preview</strong> <strong>to Hear Audio</strong><br />
<strong>Keypad 0</strong></p>
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